Ars Bioarctica

Ars Bioarctica is an art & science initiative with a focus on subarctic environment, taking place at the Kilpisjärvi Biological Station of the Faculty of Biological and Environmental Sciences of University of Helsinki. The program was first initiated in 2008, when Bioart Society was founded at the station. Currently, Bioart Society facilitates an ongoing Ars Bioarctica residency program and organises our Field_Notes biannual field lab at Kilpisjärvi. 


Ars Bioarctica residency program

Ars Bioarctica fosters art-science research residencies, with a focus on responding to the subarctic environment and emergent ecological discourses. The locale’s unique ecology, social and economic cultures, as well as the scientific context and infrastructure of the Kilpisjärvi Biological Station act as a catalyst for site-sensitive research. 

The station is home to numerous long-term monitoring initiatives, with the oldest—focused on vole populations—dating back to 1946. In addition to long-term monitoring, a wide range of research on land and water ecosystems is conducted, increasingly addressing the impacts of climate change. 

As a setting of and for diverse research, the Ars Bioarctica has supported practitioners to explore a wide range of topics and methods, amongst others these include: ice and salt as living archives (1); geologic imaginations (2); multisensory engagements with regionally endangered lichens (3); liminality in tundra ecosystems and writing as embodied practice (4); rewilding the botanical gaze (5); atmospheric biosphere and ephemerality (6).

We welcome applications from artists, scientists and interdisciplinary researchers from varying backgrounds, locales and stages of practice. 

Ars Bioarctica residencies are self funded and are best suited for independent research. Bioart Society manages the residency with the station, provides info sessions, a local mentor and remote studio visits with Bioart Society’s artistic director.

Due to the remote location and our desire to encourage longer term engagements in site responsive work, residencies are one month, but two week periods are also available.

The annual open call is generally held in January for residencies begining the following year.
 

Field_Notes biannual field lab 

Field_Notes is an art and science field laboratory organised by Bioart Society at the Kilpisjärvi Biological Station of the University of Helsinki in Sápmi since 2011. The previous Field_Notes editions include Cultivating Grounds (2011), Deep Time (2013), HYBRID MATTERs (2015), EOS (2018), The Heavens (2019) and Traces (2021), and The North Escaping (2023).

As part of the Feral Labs Network, Field_Notes deconstructs the concept of the traditional scientific laboratory in favour of research and knowledges that are situated and responsive to locales and contexts. Here the land and human/more-than-human ecosystems are not something to simply research in or about but research with.


Location/ Context

The residency takes place in the facilities of the Kilpisjärvi Biological Station, which is located in the village of Gilbbesjávri (Northern Sámi) / Kilpisjärvi (Finnish), in Sápmi—the cultural region of the Sámi people, stretching across the state borders of Norway, Sweden, Finland and Russia. 

Bioart Society recognises that our residency programme takes place on the indigenous territory of the Sámi people and acknowledges that we are guests on this land. We ask our residents to do the same.

Situated on the Finnish side of Sámpi, where the border of Finland, Sweden and Norway meet, the village of Gilbbesjávri has a little over 170 inhabitants and limited amenities but a well stocked store and a number of restaurants. 
 

Weather and Environment

The region has a subarctic climate bordering closely on an alpine tundra climate with only one month above the 10° C (50° F) threshold. The climate and weather conditions in Gilbbesjávri vary greatly, so it is important to consider what kind of (field) work is possible in which season.

Part of the Käsivarsi Wilderness Area—the second-largest wilderness reserve in Finland—the terrain rises high above sea level and the landscape is dominated by high fells, including Saana (1,029 m), Termisvaara (1,024 m) and Halti (1,328 m). The general growing season only lasts for 100 days. Winter persists nearly all year long in the area. Lake Kilpisjärvi does not clear of ice until around midsummer. In spite of all this, the area has abundant vegetation. Kilpisjärvi/Gilbbesjávri has a distinctly oceanic climate affected by its northern location and altitude: the area is located over 400 metres above sea level and less than 50 kilometres from the Arctic Ocean. The region has one of the lowest mean annual temperatures on the European continent at only 2.3 °C. On average, the temperature does not rise above +10.9 °C in July. The ground is usually covered in snow from September or October to early June. Patches of snow may be found on the slopes of Malla all year round.

You can read more about Gilbbesjávri / Kilpisjärvi on the Kilpisjärvi Biological Station's website.

 

Events
Lauri Lähteenmäki: Human–nature...
Lauri Lähteenmäki writes about how he spent his Ars Bioarctica winter residency reflecting on the nature of observation and photography and asking "Are nature imageries distancing us from ecological realities?"
Guest post | Bioart Society | 27 January 2026
The Observatory Project at...
In their residency blog The Observatory Project  (Ziggy Lever &  Eamon Edmundson-Wells) reflect how the idea of the charged moment became something they actively sought out: It manifested through a sustained attention to process, such as watching for fish scales appearing on a microfiche machine in Fiche Finder, or spending 15 hours carefully cataloguing retired plot markers used in microclimatic vegetation surveys for Stick Survey. We assigned each other roles and developed processes that involved the act of making a measurement. Much of the kit we had assembled and brought with us from Aotearoa New Zealand seemed less useful than what we could borrow from the Station. We found humour in absurd processes of not-measuring, and the shared delirium of processual labour. Having to think on our feet opened up a methodology of lightness that allowed us to be responsive and open to what was going on around us.
Guest post | Ziggy Lever | 14 December 2025
Archives of Impermanence: Between...
Laura Heiss and Laura Benech, as part of Antimatter Studio, spent a few weeks at the Ars Bioarctica residency conducting artistic research for their forthcoming installation “Salt of the Times”, a hybrid project that investigates memory, displacement, and materiality. Investigating salt, ice, and water as both material and metaphor, the project delves into how these elements interact, transform, and hold traces.  
Guest post | Laura Benech | 2 December 2025
Willing to Soften
Kelley O'Brien spent two weeks in Ars Bioarctica residency listening to the elders, the voices of our 2.8-billion-year-old ancestors – ancient rocks.
Guest post | Kelley Anne O'Brien | 17 October 2025
Vibrant Bodies
Hele Okkonen had their Ars Bioarctica residency in July 2025. What began as a study of regionally endangered lichens shifted into a broader perspective, as the vastness of the landscape made a deep impression on them. Gilbbesjávri gave them a gift, a reminder to return to the body, the ground of their artistic practice.
Guest post | Hele Okkonen | 1 September 2025
Writings with Arctic Tundra
Claudio Filho had his Ars Bioarctica residency at the Kilpisjärvi Biological Station in June 2025 where he wrote with places, things, and beings.
Guest post | Claudio Filho | 22 August 2025
Notes on rewilding the botanical gaze...
Agáta Marzecová spent two weeks in the Rewilding Cultures residency in June 2025. She explored ways to rewild her ecological sensibilities through walking, field notes, and attentive observation of plants.
Guest post | Agáta Marzecová | 15 August 2025
Exploring the Atmospheric Biosphere
During their Ars Bioarctica residency in May 2025, Frouke Wiarda and Judith van der Elst delved into the fascinating dynamics of the atmosphere.
Guest post | froukewiarda | 9 July 2025
On the Colour of Melting Ice.
Laura Lowe spent a few weeks in May – June 2025, at the Ars Bioarctica residency conducting artistic research for her ongoing body of work "The Strcutural Colour Paintings". Lowe was gathering visual material of melting ice and embedded 'black carbon' pollution through the iridescent colours these materials reveal under polarised microscopy, as well as, by capturing the ice's surface with gelatin prints. She travelled across a thawing landscape of glaciers, tundra lakes, cascading waterfalls, and the Arctic Sea collecting her samples of ice.  
Guest post | Laura Lowe | 19 June 2025
Learning from the Mountain
Dancers Gesa Piper and Paula Kramer were in Ars Bioarctica residency in February 2025. They focused on outdoor movement practice in relationship to temperature, cllimate, light and the rotation of panet Earth, partly accompanied by photographer Venla Helenius.
Guest post | Paula Kramer | 9 May 2025
Ars Bioarctica selections made for...
12 transdisciplinary artists and artist groups have been selected fo Ars Bioarctica residency for 2025–2026.
26 March 2025
Ars Bioarctica open call for 2025–...
We are happy to announce our yearly open call for Ars Bioarctica residency program at the Kilpisjärvi Biological Station. Deadline for applications is 19th January 2025.
17 December 2024