Field_Notes – HYBRID MATTERs is an art&science field laboratory organized by the Finnish Society of Bioart at the Kilpisjärvi Biological Station in Lapland/Finland. Five groups, hosted by Marko Peljhan and Matthew Biederman (Arctic Perspective Initiative – API) with Leena Valkeapää, Richard Pell and Lauren Allen (Center for Postnatural History), Antye Greie aka AGF, Antti Tenetz and Lea Schick will work for one week in the sub-Arctic Lapland. Together with a team of five selected collaborators, they will develop, test and evaluate specific interdisciplinary approaches in relation to the notion of Hybrid Ecology.
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HYBRID MATTERs is a two year Nordic network program which investigates the convergence of the physical and digital world into a hybrid ecology.
HYBRID MATTERs is an interdisciplinary and integral program consisting of artistic research, citizen art&science and artistic field work activities, the production of artworks, a touring exhibition, workshops and a final conference.
HYBRID MATTERs will select two Nordic artists or artist groups who will receive each a production grant of EURO 10.000 to produce a work for the HYBRID MATTERs touring exhibition in 2016. The exhibitions will be at Kunsthall Grenland in Porsgrunn/NO (March 2016), Nikolaj Kunsthall in Copenhagen/DK (July 2016) and Forum Box in Helsinki/FI (October 2016).
Artists and artist groups from or based in the Nordic countries: Denmark, Finland, Island, Norway, Sweden, Faroe Islands, Greenland and Aland.
Friday 3rd of April 2015
We are looking for proposals of new works which address and respond to convergent ecologies and examine the digital as a converging factor. We consider anything with a physical and digital aspect at the same time as hybrid matter and thus an actor in a hybrid ecology. For more information please visit http://hybridmatters.net
Apply via http://hybridmatters.net
For questions please contact email@example.com
Synthetic Life – a lecture by researcher Martin Hanczyc 27 Novemberhttp://bioartsociety.fi/ml_stage 18:30h
The Finnish Society of Bioart cordially invites to a lecture by researcher Martin Hanczyc and a subsequent discussion with artists and scientists
November 27th, 18:30h, The House of Science and Letters, room 404, Kirkkokatu 6, Kruunuhaka, Helsinki.
The work of Martin Hanczyc is focused on understanding the fundamental principles of living and evolving systems through experimental science. To this end, he builds synthetic systems where dynamic life-like properties emerge in simple chemical experiments. He will present an experimental model of synthetic biology: chemically-active oil droplets. This system has the ability to sense, metabolize and the potential to evolve. Specifically, Martin will present how motile droplets may form the basis for intelligent and self-replicating materials.
Martin Hanczyc is developing novel synthetic chemical systems based on the properties of living systems, in a quest to understand how life forms. These synthetic systems, or “protocells,” are model systems of primitive living cells and chemical examples of artificial life.
Martin Hanczyc is Principal Investigator at the University of Trento, Italy. He was an Associate Professor at the Institute of Physics and Chemistry at the University of Southern Denmark and Honorary Senior Lecturer at the Bartlett School of Architecture, University College London and Chief Chemist at ProtoLife. Martin actively develops outreach for his research by giving several public lectures and collaborating with architects and artists in several exhibitions world wide including the Architecture Biennale in Venice Italy in 2010 to bring experiments out of the lab and into the public space. Martin gave an invited public lecture at TED, and his work was featured on Through the Wormhole with Morgan Freeman.
Synthetic biology is a new area of biological research that combines science and engineering. Synthetic biology encompasses a variety of different approaches, methodologies and disciplines, with the aim to design and construct new biological functions and systems not found in nature. Most approaches of Synthetic biology are based on genetic engineering. Other approaches are dealing with making novel life-forms from “scratch” like in the case of protocell research of Martin Hancyzk. Synthetic Biology is still in its beginnings but if it reaches its potential promises it will become a highly transformative technology in terms of economy, ecology and ethics.
The lecture is part of Making_Life, a project by the Finnish Society of Bioart in collaboration with Biofilia – Base for Biological Arts – Aalto University Finland and Bio:Fiction Vienna Austria within the SYNENERGENE EU Project.
Since 2010 the Finnish Society of Bioart is organizing the ARS BIOARCTICA RESIDENCY PROGRAM together with the Kilpisjärvi Biological Station of the University of Helsinki in the sub-Arctic Lapland. The residency has an emphasis on the Arctic environment and art and science collaboration. It is is open for artists, scientists and art&science research teams.
With great joy we announce that our project HYBRID MATTERs was chosen for the The Nordic Culture Event of the Year – DIGITAL 2015-2015.
We want to thank everybody who is part of our association, who has worked with us and supported our society over the years.
The digitalization of our world builds a new hybrid ecology, which is formed by the merger of the digital and the physical world, a merger of technology and biology, and which transforms our everyday life. Hybrid means the mix of the biological environment that has existed for a long time, and digital technology, which we have introduced into our world. The HYBRID MATTERs program will, explore, and investigate this, through art. In this new kind of ecology there are new and different kind of actors. Obviously, there are humans, animals, and plants. But now there are also technological actors. For example; robots, networked sensors, that observe various aspects of our world or technologically manipulated organisms which are biological in nature but technological in origin. What we are really interested in is, what does it mean, to be a part of this hybrid ecology. How can digital technology and art assist in the communication between the different actors ?
bioartsociety.fi – Erich Berger
itu.dk – Laura Beloff
kunsthallgrenland.no – Andreas Rishovd, Atle Barcley, Tom Hovinbøle
misplay.se – Åsa Ståhl and Kristina Lindström
forumbox.fi – Nina Toppila
nikolajkunsthal.dk – Elisabeth Delin Hansen and Andreas Broegger
Special thanks to Katrine Lund ITU for assistance and Rina de Place Bjørn ITU for making the video.
Bio-Commons workshop – Camp Pixelache 2014 from 6th-8th June 2014 in Helsinkihttp://bioartsociety.fi/ml_stage FinlandThe Finnish Society of Bioart invites you to participate in a workshop about Bio-Commons in the framework of Camp Pixelache 2014 from 6th-8th June 2014 in Helsinki, Finland.The Commons consist of any common resource that is available to all, and as such there are many type of Commons but basically two: physical resources or man-made. A plenitude of licensing modes has been developed in the past and were especially successful in the digital world. Despite the obvious success, there exists no similar licensing model for the life sciences. In prospect of the vast amounts of knowledge and inventions to be awaited it is a good time to bring our experience and expertise together to initiate an in depth discussion on the subject of Bio-Commons. The questions to ask and answer lie at the intersection of law and scientific theory and practice. At the same time we have to consider amongst others, ethical, societal and economic needs and challenges concerning life sciences. The aim of the Bio-Commons workshop is to initiate this discussion and identify the requirements and conditions for an open and collaborative approach towards Life Sciences.A keynote by Markus Schmidt will commence the Bio-Commons workshop:Markus Schmidt will walk us through the theme of the Bio-Commons, presenting various initiatives aiming at creating a more open source environment in the biotech area, the Nagoya Protocol as a means to internationally regulate the use and conservation of genetic resources. He draws parallels from the printer movement to biotechnology, with DIY-Bio spearheading the movement to go beyond the producer-consumer divide.An information package on the subject is being prepared and will be downloadable here:http://bioartsociety.fi/bio-commons.zip – available from 22nd of MaiSpecify the agenda for the workshop by commenting on this piratepad:For content questions / contributions please contactRüdiger Trojok firstname.lastname@example.orgTravel information:Camp Pixelache will be held on the island of Vartiosaari in front of Helsinki. There will be a ferry from the city and the possibility to stay in tents on the island. For information about Camp Pixelache 2014 and how to get there please contact: Nathalie Aubret email@example.com . More information about Camp Pixelache 2014:Bio-Commons is organized by the Finnish Society of Bioart with Rüdiger Trojok in collaboration with Camp Pixelache 2014 Helsinki. Bio-Commons is supported by SYNENERGENE, funded by the 7th Framework Programme of the European Union.