fieldnotes

Nov 042011
 

Subjects: Mapping / Information Sharing / License / Access

Within the open discussions related to Environmental Computing on Wednesday 28.9, The theme of Foraging & Knowledge Commons was proposed by Andrew Paterson, and he was joined by Melissa Grant, Brian Degger, Corrie Van Sice, Oron Catts, Benjamin Pothier, Terike Haapoja.

The starting point being the small patch of berries at the corner of the biological station. Next to us are blueberry (Vaccinium myrtillus) and mountain crowberry (Empetrum hermaphroditum) bushes. However after briefly pointing at them, we moved indoors to discuss.  Discussion began with Andrew showing two books as a way to enter a discussion about knowledge commons that take a different approach on cultural heritage: One reconstructs a past practice for awareness and edutainment, while the other raises living (but ‘endangered’) practices for awareness and practice-based learning. The following question was raised for consideration in general: Do publishing platforms enable or not, allow or not; consideration of how information/knowledge/data about foraging and wild food is appropriately shared.

The first book, Wild Food was published by BBC and authored by Ray Mears, the well-known English bushcraft TV show host and archaeobotanist Gordon Hillman (2007). As an innovative cross-disciplinary book it makes connections between anthropological research bushcraft practice, inspired by Australian Aboriginals, and mesolithic research into what hunter-gathering ancestors of the British Isles might have eaten from the wild resources. Ray Mears’s knowledge is a popular franchise and copyrighted. According to the inside cover notary, “Our wildlife is, quite rightly, protected by various pieces of legislation (in the UK by the Wildlife and Countryside Act 1981)”, and that “All the photographs and samples for analysis.. were taken for the purposes of scientific evaluation of the practices of our hunter-gatherer ancestors”. Their aim was to “increase the enjoyment, appreciation and awareness of our flora and fauna” although “readers should not assume they are allowed to follow any of the practices described”.

The other book was one which Andrew was involved in producing within the Herbologies/Foraging Networks project, in collaboration with Signe Pucena of SERDE Interdisciplinary Arts Group, and her collaborators Una Smilgaine and Martins Laizans. It’s production was funded by a Nordic Culture Point Art & Culture grant . It was made following an expedition to the Latvian countryside to learn about how locals in the village-towns of Aizpute and Alsunga use wild plants and foraged produce within the context of intangible cultural heritage and emerging art/activist cultural production. This expedition consisted of about 16 international artists, designers, heritage workers and herbal/wild-plant experts from Finland, Sweden, Lithuania, Belgium, Spain and Poland. The bilingual Latvian-English edited book of interviews and texts were printed and redistributed locally to the interviewed persons and others, as well as published as extended texts online under a Creative Commons license. It was not obvious to Andrew and his Latvian collaborators (of whom several were folklorists and heritage workers) how to publish heritage materials, in particular in their case, the foraging practices of mostly elder Latvian ladies on the internet. Was it public domain knowlege? At least we thought we shouldnt release the information where it could be exploited, but maybe we should have considered a different license (such as Peer-production license which allows those who are commons-orientated to use the info to sustain themselves). Questions for the editors continued: Was it special or published knowledge already? There exists many encyclopediac info about wild plant use, but not much in descriptions about the persons behind cultural practice. The range of questions to the interviewees addressed this. If they learned this knowledge from family members, books, in some cases internet, how reputable is it? Can it be verified? What responsibility does the publisher have to the reader? Unlike the Ray Mears book we did not include a disclaimer.

We continued the discussion also on another track, related to mapping of food that may be foraged, considering the differences in different contexts. In the urban environment there have been several art-activist projects locating and mapping surplus overhanging from private property or available unpicked fruit-bearing plants planted by municipality, such the Fallen Fruit project from Los Angeles, Joel Rosenberg’s Satokartta in Helsinki or irrational.org’s Bristol Food for Free maps. It was noted that in many urban environments such projects operated on the basis that there is not common access, but private control of land, and margins which blur it. However, some municipalities and organisations in negotiation with them are discussing planting more/new fruit or nut -bearing trees in publically-accessible spaces as a common-good. How about in the forests and countrysides? Especially in Nordic countries (for example in Finland) or Scotland where everymans rights apply, allowing people access to the land, and ability to pick wild produce when it is not endangered? Would one be willing to share the location of their good mushroom or berry locations? If so, who would you share it with? Your closest friends or family (as inherited knowledge)? Ten to thirty trusted friends? What earns that trust? In relation to indigenous access and rights to knowledge, if something is designated as sacred (for example as Maori say Tapu), then it is forbidden to use or touch it. For example one map for those who have earned respect and access to the information/knowledge due to respect with the subject, and another version to share with outsiders. Social network computing metaphors such as groups, circles and lists come to mind. How reciprocal might it be? Communication networks would be necessary to encourage and developed socially or community beneficial foraging, such as group orchard-picking or juice-making. How should it be done appropriately?

Book References:
Mears R., Hillman, G. (2007). Wild Food. London: Hodder & Stoughton Ltd./BBC

Pucena, S., Smilgaine, U., Laizāns, M. (2010).  Tradīciju Burtnīca: Vācēju kultūra Viduskurzemē / Exercise Book of Traditions: Foraging in Central Kurzeme. Talsu: SERDE.

Oct 102011
 

Citizen Sensing (Jennifer Gabrys & Anne Lehtelä)

(Attending: Luis, Sarah, Melissa M., Tiina, Jurate, Paz, Rosanne)

Moth Monitoring to study environmental change

In our collective evening ‘Open Discussion’ of environmental data issues, our sub-group considered the topic of citizen sensing. We began our conversation by asking who or what is a citizen, and how different notions of ‘citizen’ might inform the types of sensing that take place. Could more-than-humans be considered to be distinct contributors to citizen sensing, thereby making this activity a less human-centric practice?

We discussed examples of citizen sensing projects from Beatriz da Costa’s Pigeon Blog, where pigeons carry air pollution sensors and create more-than-human maps of urban air pollution, to the dontflush.me project, which uses proximity sensors to inform New Yorkers when to avoid flushing the loo when the sewer system may be at capacity and in danger of dispersing waste into the harbour.

While we had initially hoped to develop speculative practices around what other forms of citizen sensing practices might look like if new ideas about ‘citizens’ were introduced into citizen sensing practices, many participants were concerned about the use of the term ‘citizen’ to describe more-than-humans. Don’t citizens have free will and rights? Aren’t animals simply the props for human experiments into sensing? Are these sensing practices perhaps even exploitative?

Other examples of citizen sensing emerged, however, that began to test the idea of new arrangements of citizenship. One project reference, the Million Trees NYC project in New York, was cited as an example of a practice where crowd sourcing was used to identify where trees may be planted in the city. Once planted, the trees may be monitored and reported about in order to ensure their longevity. Such a practice of urban tree stewardship implies a relationship with the trees, and environmental ‘citizenship’ might be practiced through ‘sensing’—with or without computational devices—the trees and their local environment.

New arrangements of citizen sensing—and environmental practice and politics—might emerge at this intersection where citizens are no longer conceived of as exclusively human subjects endowed with rights, but rather through citizen relationships that make us responsive to changes in our environments.

Oct 012011
 

REFLECTING on the workshop week within Biological Milieu-group

 

SUBSTRATE defined by a dictionary.

Substrate is not only material from which an organism lives, grows, or obtains its nourishment, but the dictionary defines it also as a material that provides the surface on which something is inscribed.

So, when looking back at what we did this week; through the processes of decellularization of various materials that were collected from here (around Kilpisjärvi) and then adding various growth mediums, we inscribed something on them, which was not there before. This inscription is an act and an intervention that creates a change in the material but also in our relation to this object or material.

By another dictionary definition a substrate is a language that is replaced by another invading language, but in the situation the original language still provides features to the invading language. This is also related to the processes or experiments we did during the week; we manipulated an existing language of various organisms that simultaneously provided features or base for a possible new substrate-language(s) to emerge.

Finally, what kind of relation develops between us and this thing or material, which has now a potential of its own but which is created by technological intervention? I have no answer to this……

 

About LAB ACTIVITY.

Theorist Lisa Gitelman talks about when scientists invent a new instrument; they have to demonstrate the use and meaning of this instrument. If they are successful other scientists start using the instrument and its general acceptance will gradually make the technology and its protocols a transparent fact of scientific practice; in other words the used instruments and technology becomes self-evident commodity which existence is taken as granted. So, we easily become unaware of our use of technological tools, their defined aims and underlying structures (in science and in our everyday life), although it will keep influencing us, and the contexts within which we use it.

In a situation when there are artists working in a lab or with scientific methods who do not necessarily have the training for science protocols (and who possibly work somewhat chaotic); one could say that creating either purposeful or accidental failures becomes firstly attractive because of their surprise effect, but secondly these accidents also have a possibility to make the existing methods and used instruments again visible and thirdly, they open up a space for something new to emerge in art and also  in science.    LB

 

 

Sep 292011
 

Salvador Dalí and Science

Carme Ruiz
Dalí Study Centre

Newspaper El Punt, October 18, 2000

He gave an address called “Gala, Velásquez and the Fleece of Gold”, in which he spoke of DNA, Heisenberg, Descartes and René Thom. When asked by a journalist from “Le Figaro” newspaper, “Why such a great interest in science?”, Dalí replied: “Because artists scarcely interest me at all. I believe that artists should have some notions of science in order to tread a different terrain, which is that of unity”.

http://www.salvador-dali.org/serveis/ced/articles/en_article3.html

Thinkers and literati can’t give me anything. Scientists give me everything, even the immortality of the soul. Salvador Dalí in The Dalí Dimension (DVD), directed by Susi Marquès, Media 3.14, Barcelona, 2004

Since we now live in the atomic age … it is up to artists to work out a way of putting across an up-to-date message. Clete Wiley, ‘Dalí, showman of art, tells of his nuclear mysticism’, Waterloo Daily Courier, Iowa, 6 February 1952, p. 3, quoted in Elliott H. King, ‘Nuclear mysticism’, Salvador Dalí: Liquid Desire, National Gallery of Victoria, Melbourne, 2009, p. 247.

http://www.ngv.vic.gov.au/dali/salvador/resources/daliandscience.pdf

 

 

 

 

 

 

 

 

 

 

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The word, “palimpsest” refers to a surface on which text or drawing has been applied more than once, with earlier writing incompletely erased and often legible through overlying text. Nature itself is a palimpsest. From the most remotely detectable minutiae to the limits of the observable universe, the fabric of nature is overwritten, imprinted and re-imprinted with all the successive events and episodes of history. Almost every object in the natural world can be found to hold signatures that reach across huge distances and deep into time.

In the early 1990s, chemist Dr. B.J. Davis related a story to the author about the shadows of passing clouds. Davis suggested that the shadow of a cloud will leave its unique signature on any stone it happens to pass over. He pointed out that photons have their indelible effect on everything and that sooner or later, science and engineering would devise an instrument with sufficient sensitivity to detect the fact that the shadow of a particular cloud has passed over a particular stone. Davis assumed that like the shadows of passing clouds, human beings also leave their indelible signature on everything animate and inanimate they encounter. He called it the “thermodynamic soul.”

Humans are still hunters and trackers after all, but as limits of the human sensorium, technology and intellect are overtaken, we will never learn to recognize or understand many of the messages imprinted on the universe around us. It is not entirely impossible that human beings may prevail against almost inconceivable odds and one day win the galactic lottery to somehow eventually find a communicable alien species. It is also altogether possible that Fermi’s paradox may turn out to be a much larger problem and hold much deeper secrets than will ever come to be grasped within the scope of human imagination.

Joe Davis, Cambridge MA. March 2010

 

 

 

 

 

 

 

 

 

 

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The Belgian-born American historian of science George Sarton (1884-1956) founded the history of science in America.

George Sarton was born in Ghent on Aug. 31, 1884, the son of one of the directors and chief engineers of the Belgian national railroad system. Sarton studied philosophy at the University of Ghent and then turned to science, winning his doctorate in mathematics in 1911. He had, however, already become known as an author and scientist for his published novels and poems and his award-winning essay on chemistry (1908). Sarton emerged from his training with admiration for the insights of Auguste Comte and Henri Poincaré and a conviction that the basis of scientific philosophy was the history of science.

Sep 282011
 

From my perspective it was interesting to find that Artic Waters is truly multidisciplinary. In addition different group members bring in their own personal “tool kit” in order to explore the common theme. Julie, being interested in audio environments, has been committed to record the sounds from underwater environments; Jeni is interested in continuing her quest in exploring water, mainly through video, in distinct locations (from the Sahara to the Himalayas); Brian, with his scientific background, personifies the gentleman naturalist with a vast knowledge spanning all possible topics, and carrying a tool for any impossible task; Anu, the most experienced of us all in this artic environment, has been the nicest possible guide providing the practical advice in all situations. Personally I could not contribute as much, for lacking relevant experience or skills. I also feel that not having a clear and tangible aim, as I am not collecting video or audio for an artwork, constrains the involvement in specific tasks. As a consequence I feel I am, de facto, a member of the “second order” group infiltrating one of the other groups – more concerned about the process than about a possible outcome.

We collected samples from a lake, and from streams inluding a waterfall.